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Promise of Structure
Photo:Rick Leong





















The Promise of Structure

An Exhibition of Recent MFA Student Work
August 22 to September 23, 2005
Curated by Ian Campbell
The works featured: Rick Leong Garden of Being, oil on panel, 2005; Ian C. Schematics for Living (Revision A and Revision B), ink and latex paint on paper, 2005; James McDougall, Untitled, digital inkjet prints, 2004; Charles Stankievech, Hyperventilation V.0.03, 2005This exhibition looks beneath the skin of different formal structures as a corrective to the hectic spaces we inhabit. The four artists featured span the breadth of traditional and new media research and concerns from the figurative to the sculpting of electronic impulses.

Rick Leong creates fantasy worlds that engage the viewer with an appealing array of fantasy characters dwelling in chaotic alien worlds. His worlds, often influenced by the narrative traditions of other cultures, locate hybridized flora and fauna that intermingle and create their own interconnections. The narrative nature of his work is often concerned with the effects of environment on the emotional state of his characters.

Ian Campbell's "Schematics" series consist of dense networks of gestural ink lines that suggest any number of descriptive materials (fire, hair, water). The underlying conceptual link, however is meant to be that of the electronic schematic, where the lines form structural links between distinct gestural "components" of an unending complexity.

The digital prints of James McDougall underline his concern with another set of interacting parts: biological organisms. The colourful blobs and hand drawn geometries conjure up entities whose structures are interdependent. Despite the autonomy of the forms, McDougall's hand is clearly evident in this set of works even through the veils of computer manipulation that modify and extend his vision.

Charles Stankievech is interested in creating installations that demonstrate the physicality of sound. Hyperventilation is a piece that is about sound and whose main effect is created by soundwaves, and yet it remains completely silent. Low frequency sound waves are used to create a manifestation of breathing that through its technological source retains a sense of the uncanny.


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